http://www.ebay.com/itm/D-A-M-Grease-Box-tonebender-overdrive-fuzz-distortion-pedal-/120782568474?pt=Guitar_Accessories&hash=item1c1f33bc1a (http://www.ebay.com/itm/D-A-M-Grease-Box-tonebender-overdrive-fuzz-distortion-pedal-/120782568474?pt=Guitar_Accessories&hash=item1c1f33bc1a)
What a deal!
Holy balls. I wonder if anyone will pay it.
It is one of Dave's newest concoctions.
So any huw. The Grease Box. It is at heart, a MKIII/MKIV Tone Bender. Its bare bones and the circuit blue print are very Tone Bendery. The idea here was very simple indeed. What if Colorsound still made the Tone Bender MKIV in 1981. What would that sound like?
Okay so, gibberish aside. The Grease Box is a fuzz box that thinks it's an overdrive. It has a lot of midrange cut and a good amount of clarity. It is responsive to pick attack so comes over as quite dynamic for a fuzz box. You're not gonna get the transparency of a TS-808 or other such things; it is a fuzz box at heart. Remember that. It's kinda like a Distortion + and extra gooey Tone Bender MKIV meeting somewhere in the middle. The 'Level' control has a linear taper so retains a good dose of the highs as it's rolled off. The 'Overdrive' control will darken the tone somewhat as it's rolled back. The nature of how both of these controls react will give you a lot more scope than you'd think from a two knob fuzz box. It's Greasy, ay.
First 11 have been distributed via V&R through a raffle drawing.
Isn't there a forum for this?
Holy shit, long day sorry folks, worked 10. Yep wrong forum. Sheesh.
MJS is taking up where Dchamp left off.
(thread moved from General Diss)
Whew! For a moment there, I thought Shaft had invaded the Jam Room...
Thanks, better start drinking heavily so I can remember which room I'm in. This has got to be the highest price on a D*A*M pedal, period.
There's no way they're that good.
I second that, my MKII was $130 US.
I read that the DAM guy built some extra's of his limited editions, and sold them himself on eBay for 800 quid a pop (about $1200), and people objected to the builder making profit, but it's OK if someone else buys it, and then flogs it for that price, the world is weird. ;D
There's always some fancypant's boutique tweaker ready to pay a ridiculous price for something. Might not sell this time, but if he keeps at it, it'll go.
The Brits know how to market and sell fetish gear.
to the yanks! ;D who will swallow anything.
If you ever go to the D*A*M forum you'll know this isn't too out of the ordinary, I'm loathe to remember what one of his "Flesh-Head" fuzzes went for on eBay. David makes beautiful and awesome sounding stuff but it's nigh impossible to afford, at least on the secondary market.. direct it's not bad for the regular line stuff.
I have three D*A*M pedals, a Meathead, a Deluxe MH and Red Rooster, they were all 100-150€ used (for reference an OCD or vexter Box of Rock go for around 140€ here). So they can be found for reasonable prices, it's the special limited edition stuff that people ask ridiculous amounts for.
Quote from: Volume on September 25, 2011, 05:27:34 AM
I have three D*A*M pedals, a Meathead, a Deluxe MH and Red Rooster, they were all 100-150€ used (for reference an OCD or vexter Box of Rock go for around 140€ here). So they can be found for reasonable prices, it's the special limited edition stuff that people ask ridiculous amounts for.
That's what I meant, the normal line stuff isn't bad price-wise. Although, I've started noticing that Rooster's are going for $350-400 now.
How did this become a beat up America thread when Europeans are spending 4-grand for Mesa/Boogies? Either way it sucks that the blues lawyers of the world have ruined the market for his pedals which used to cater to scenes like this.
Poor Euro bastards are slinging that kind of cash to have mediocre tone? Heartbreaking.
Yeah it's dreadful over here. Based on my guesstimates I'm still better off buying a new amp than buying an used amp from the States. That new Traynor YBA300 goes over 800 euros at Thomann.
Fame? Yerasov?
Quote from: clockwork green on September 25, 2011, 10:48:10 PM
How did this become a beat up America thread when Europeans are spending 4-grand for Mesa/Boogies? Either way it sucks that the blues lawyers of the world have ruined the market for his pedals which used to cater to scenes like this.
Lumpy started it ;D
Quote from: SunnO))) on September 26, 2011, 01:08:21 PM
Fame? Yerasov?
They don't really have a bass tube head. They're good for guitar though. And even the 100W Bulldozer by Fame/Yerasov is a 1000 euros... So that Traynor would still be the better choice, people at TalkBass seem to like him.
12 6L6's will make for painful on the wallet retubes, I bought a YBA-200 when they came out, and it was buggered on delivery so I returned it, the replacement was underwhelming, and I returned it as well.
For Europe, what about the new BVV300, the Behringer Ampeg clone? They've already done a good job with the 1960/1990 and the 333 a few quick fixes gives you a fairly robust amp. The Ampeg design was awful to start with, could be Behringer have simplified it? I look forward to getting one on the bench.
(http://lh4.googleusercontent.com/public/68ITKhds-9dbA0lXWlVlu2IqZ4i2WSTVaekzhimq0U1yOG1G6pRZcaG-phA9_qlv9qbfvirQ9lzLsTRym2OAgyhcB9YEIzTTlgTiJVSUdTo7VjgHXmukQNYUSmEUBf_xaFe4MhlL4WlHFmmRMwehW8H3XsmO_oXSycr96y5ogQ)
I'm a fan of David Main's work, aesthetically. But sticking with the vero/strip board construction for a commercial product has always struck me a little odd. It's seems like more of a collector type thing, like people who are into restoring old cars. I personally would never tour with something like that, just like I would never use a '69 GTO as my commuter vehicle. Even point-to-point would be better for daily use than strip board. And then charging that kind of dough from something so flimsy. Not for me, no thanks. And the Grease Box is just another Tone Bender variant. The dude had a completely unique circuit with that awesome Ezekial pedal, yet he discontinued it. I don't get it.
Quote from: koi on September 27, 2011, 03:19:31 PM
I'm a fan of David Main's work, aesthetically. But sticking with the vero/strip board construction for a commercial product has always struck me a little odd. It's seems like more of a collector type thing, like people who are into restoring old cars. I personally would never tour with something like that, just like I would never use a '69 GTO as my commuter vehicle. Even point-to-point would be better for daily use than strip board. And then charging that kind of dough from something so flimsy. Not for me, no thanks. And the Grease Box is just another Tone Bender variant. The dude had a completely unique circuit with that awesome Ezekial pedal, yet he discontinued it. I don't get it.
I agree on the most part but what's wrong with using vero? Personally I'd trust vero over point to point.
Quote from: moose23 on September 27, 2011, 03:45:05 PM
I agree on the most part but what's wrong with using vero? Personally I'd trust vero over point to point.
Really? What about amps P2P amps, you don't trust them? I've seen the copper strips on vero come loose from the board, easily. It also looks like the majority of DAMs boards (other than the bracket mounted Bender builds) are mounted using 3M tape, or something similar. I've seen pictures of people's boards that have come loose. I would never tour with something like that. In my opinion, point to point is probably one of the more durable construction methods. Although not very practical for pedals. I could throw a p2p pedal of a building and probably still use it right after. I've just never seen those strip boards hold up over the years, at least when being used by people who actually play, and move their stuff around, nearly every single night.
I didn't say I didn't trust ptp just that in a pedal I'd have more trust in vero. I was also thinking like you'd find in an old EHX Screaming bird where the components are literally just soldered together point to point with nothing like terminal board holding them together like you get in a ptp wired amp. Imagine an amp where all the components are just hanging loose inside the chassis, I wouldn't trust that at all. Never seen any problems with vero myself but I'll take your experience on board. Anyways, I was really just curious to hear what problems you'd encountered with vero.
http://farm6.static.flickr.com/5157/5872026299_08188b9882.jpg
Ah, I get what you mean. Dead bug is pretty much what that EHX is. But I'd still take that over vero :) Either way, I guess it all comes down to the build quality in the end, right? The copper strip separation is what my beef with Vero is, but I think I said that already. Personally, my pedals probably take the most beating out of anything. Getting thrown around, dropped, kicked, drop-kicked, insulted in every which way.
Never had vero split on me, in 20 years, I've got circuits lying about that I've had since I was a teenager.
As to the 3M tape, that stuff is used commercially for all kinds of things, HP used it to hold the storage pouch on their gear on, you can pack those things with a couple of reference manuals, and throw them in the back of a car, then drive them to a vibration chamber (used to be one of my jobs), they stay on ;D
Have you actually had vero split on you? Did the board get wet and warp, or did the copper separate at the edges, or was it a large component pushing the track up?
I agree scramble wiring is ugly, had a Gibson Maestro Fuzz to repair once, all that had happened was all the components had been twisted together and were shorting.
I'll say upfront over the years and David has been a super chap and great help to my band Slomatics.
It always amazes me the prices some of these rarer pedals go for on ebay. It strikes me as a shame none of this cash makes it's way back to the builder who would have sold the unit originally at much lower price.
Anyway as I say I've been a long time D*A*M fan/user (2004) and in that time probably played nearly all D*AM pedals loads of custom and standard pedal variations. Have to say my favourite pedals are two current production D*A*Ms that aren't that hard to get hold of, and def won't break the bank. The Meathead M25 and the Super Bee.
If you're happy to go on a wait list, or check the D*A*M forum buy sell section (things come up often) owning some fantastic fuzz isn't hard at all in fact.. Obviously the custom stuff goes for a bit more.
As for velcro, have to say I've been gigging the pedals for years and bar wearing out a few old pedal footswitches have never had any issues.
If you can't be bothered with the wait lists, or a little hunting there are also plenty of other fantastic builders out there.
At the moment I'd say go buy something from Ken @ OxFuzz, Brad @ Creepy Fingers or Ian @ Ghost Fx (UK). All super builders
Quote from: welshchris on September 28, 2011, 11:24:55 AM
I'll say upfront over the years and David has been a super chap and great help to my band Slomatics.
It always amazes me the prices some of these rarer pedals go for on ebay. It strikes me as a shame none of this cash makes it's way back to the builder who would have sold the unit originally at much lower price.
Anyway as I say I've been a long time D*A*M fan/user (2004) and in that time probably played nearly all D*AM pedals loads of custom and standard pedal variations. Have to say my favourite pedals are two current production D*A*Ms that aren't that hard to get hold of, and def won't break the bank. The Meathead M25 and the Super Bee.
If you're happy to go on a wait list, or check the D*A*M forum buy sell section (things come up often) owning some fantastic fuzz isn't hard at all in fact.. Obviously the custom stuff goes for a bit more.
As for velcro, have to say I've been gigging the pedals for years and bar wearing out a few old pedal footswitches have never had any issues.
If you can't be bothered with the wait lists, or a little hunting there are also plenty of other fantastic builders out there.
At the moment I'd say go buy something from Ken @ OxFuzz, Brad @ Creepy Fingers or Ian @ Ghost Fx (UK). All super builders
Hey Chris....it's Ron from Curse the Son. How are you guys doing? The new split sounds awesome man. Hope all is well with you lads!
Hey Ron :)
All great here, I'm finding a bit more time to spend with the guitar and fuzz now my wee girl is 10 months old. Funny I was blasting your Cd in the house on the weekend 8)
How are things with you?
Glad you're digging the split. I just got our CD copies a few days ago from the Roadburn/Burning World guys.
We're busy writing away the next album at the moment, seems strange concentrating on the next thing when this one is only just out!
Quote from: Hemisaurus on September 28, 2011, 07:44:47 AM
Never had vero split on me, in 20 years, I've got circuits lying about that I've had since I was a teenager.
As to the 3M tape, that stuff is used commercially for all kinds of things, HP used it to hold the storage pouch on their gear on, you can pack those things with a couple of reference manuals, and throw them in the back of a car, then drive them to a vibration chamber (used to be one of my jobs), they stay on ;D
Have you actually had vero split on you? Did the board get wet and warp, or did the copper separate at the edges, or was it a large component pushing the track up?
I agree scramble wiring is ugly, had a Gibson Maestro Fuzz to repair once, all that had happened was all the components had been twisted together and were shorting.
Yes sir, I've had the copper strips separate completely from the board before. Much like how a tracing on a typical pcb can lift off the board if it's too thin, or someone applies too much heat. I don't doubt that there's some sturdy stuff out there, and I'm definitely not trying to bag on anyone's work. As I said, I really am a fan of DAM and Mr. Main's craftsmanship. And even though I do have a personal opinion that the vero stuff is not the most professional way to go, if I stumbled upon one of his "white whale" pedals, I would probably buy it. Still, I would never take it on the road. So I guess what I'm saying is, if DAM pedals are marketed to be more collector/studio type gear, so be it. But I think he would be wise to consider making an "affordable" line of pedals for the modern bloke. Lord knows there are more than enough people who want his stuff.
Quote from: koi on September 28, 2011, 11:06:01 PMStill, I would never take it on the road.
Anything that would bust a D*A*M pedal would also destroy your guitar. You going to leave that at home, too? ;)
So vero no good, PCB no good, I'm guessing either you don't have any pedals, or you don't go out on the road much? I have had PCB tracks lift, but never vero, maybe you had some cheap radioshack imitation? I've grown to loathe perfboard as it's called over here, whats with this no tracks BS, and those tiny lands, so easy to destroy. I have thankfully now found a place for vero, or stripboard again ;D
The problem with point to point pedals would be either you do it scramble style (no board) and it's a mess, or you can't fit all the components in. I suppose you could handcraft a really tiny turret board, but then the components would be so close you'd hit reliability problems. So good for a couple of transistors or so, maybe. Eylet boards are nice for really simple pedals like boosts, and easy fuzzes though, but they have the same mounting issues as vero.
Quote from: Hemisaurus on September 28, 2011, 11:57:59 PM
So vero no good, PCB no good, I'm guessing either you don't have any pedals, or you don't go out on the road much? I have had PCB tracks lift, but never vero, maybe you had some cheap radioshack imitation? I've grown to loathe perfboard as it's called over here, whats with this no tracks BS, and those tiny lands, so easy to destroy. I have thankfully now found a place for vero, or stripboard again ;D
The problem with point to point pedals would be either you do it scramble style (no board) and it's a mess, or you can't fit all the components in. I suppose you could handcraft a really tiny turret board, but then the components would be so close you'd hit reliability problems. So good for a couple of transistors or so, maybe. Eylet boards are nice for really simple pedals like boosts, and easy fuzzes though, but they have the same mounting issues as vero.
I didn't say I don't like PCB - anywhere. And your "guess" about my pedal amount and road experience is way off, and really just an unnecessary comment. But I'm not here to get in a pissing match. My original statement was simply that I'd buy a point to point constructed product before I'd take vero. I never once made a statement that P2P is the best, or that's all I want. I'd actually prefer PCB above any other build method, when considering reliability. And that's from my own personal experience. So if you want to continue defending vero board, be my guest.
Quote from: Lumpy on September 28, 2011, 11:31:34 PM
Quote from: koi on September 28, 2011, 11:06:01 PMStill, I would never take it on the road.
Anything that would bust a D*A*M pedal would also destroy your guitar. You going to leave that at home, too? ;)
You guys are really good at missing points.
I'd leave my 1957 Gold Top (if I had one) at home, and take my workhorse that I don't mind getting banged up. I compared DAM pedals to classic show cars. In that sense, they're awesome. However, they are ridiculously expensive items that are valued mostly on their rarity and status than anything else. Would I personally trust vero board construction for night after night playing on a multi-month tour? No, I wouldn't. Deal with it.
Nice hyperbole, though. How about you lend me your DAM pedals, and we'll put your theory to the test ;)
D*A*M pedals are sturdy, they do not break. I've never heard of that happening.
I'd be more worried about somebody snatching it, while you're in the back for the pre-show Safety Meeting.
Damn, I've always wanted to buy a DAM pedal but with prices like that it seems very impossible.
Quote from: Stonergrunge on October 02, 2011, 09:55:13 PM
Damn, I've always wanted to buy a DAM pedal but with prices like that it seems very impossible.
Some of the more common DAM pedals may be on the high side of normal retail but are still pretty obtainable, pedals like the one on eBay are more of an exception.
IDK, It's never sat right with me. It's not the price factor, but this has always been a hot-button issue in the past. Money and wait time aside, I'd rather get a clone from someone I like rather than deal with the overseas stuff. If y'all have had good experiences, cool,. I ain't trying to knock anybody... I'm gonna stick with the cubic zirconia's of the world and leave the blood diamonds alone. ;D
My Meathead was like 160 bucks postage paid from a music store in Seattle, about 5 years ago... right about the time that D*A*M started blowing up, and started selling direct. You can still buy their pedals for list price, if you make the effort to get on their waiting list. It's cheaper to buy a D*A*M fuzz than it is to buy a Klon Centaur. Their prices on stock items seem to be in line with other boutique manufacturers.
This is like one of those "I hate Fender" threads. Okay cool. Your opinion is duly noted. But I pretty much never hear D*A*M being ripped by people who actually own something by them that they purchased direct. Most people say they love their stuff from D*A*M.
Yep,
1. Too expensive
2. Most pedals are cheap compared to a Klon.
3. I would never get on a waiting list for a pedal.
4. They're awesome, but I can still find a Muff or MKII clone all day long for under $150.
Other boutique manufacturers like ZVEX and Skreddy charge similar prices. Nothing unusual about what D*A*M does, and their pedals are great for heavy music.
Plus, unlike other builders' pedals, if you can buy one the value will usually go UP. ;)
D*A*M Meathead is a fuckin beast.....it is evil! ;D
Every time I try something else or use a NMV amp.....I always find myself comparing it to the sound I get with the Meathead. I always go back to it, no matter what.
Hey core, which meathead do you use? Standard, dark, deluxe...
I have owned 4 Meatheads. A White Standard, a B&G Meathead, a Meathead Dark, and the newer M-13. The M-13 is the one for me....it is a mean motherfucker.
Nice! Hit me up if you ever want to sell that dark. ;D
Ah, I see...key word: OWNED. I guess that means you used to have those other meatheads. Wait, were you selling that dark in the old forum?
Yup....I buy em and try em. Then move on. 8)
You dog you! I want to offer one a long meaningful relationship.
Here ya go...
http://stompboxes.co.uk/forum/viewtopic.php?f=9&t=10892
What's the difference between the M-13 and the Meathead original?
Quote from: core9 on October 04, 2011, 11:49:26 PM
Here ya go...
http://stompboxes.co.uk/forum/viewtopic.php?f=9&t=10892
Thanks, but as anal as it sounds I really am looking for the dark version specifically. That same one was on ebay for a while.
Quote from: Lumpy on October 05, 2011, 01:06:21 AM
What's the difference between the M-13 and the Meathead original?
The original tonally is slanted a bit more towards high mids and highs.....The M-13 is a nice well balanced diet.....thick, huge and destructive.
Quote from: Cursed71 on October 05, 2011, 09:39:49 AM
Quote from: core9 on October 04, 2011, 11:49:26 PM
Here ya go...
http://stompboxes.co.uk/forum/viewtopic.php?f=9&t=10892
Thanks, but as anal as it sounds I really am looking for the dark version specifically. That same one was on ebay for a while.
Not sounding anal bro...you want what you want. FYI the Meathead Dark is usually a bit too much for most. It has A LOT of break up, maybe even too much low end.....I liked it, but I found that I couldn't get it to play nice with my amps. As I stated above the M-13 is a doom monster....go to the D*A*M boards and put up a wanted ad. There are pedals flying in and out over there. Good luck on your quest.
Just have a builder clone it, easy pedal to build, any pedal builder could shit it out of their ass.
the difference between dark and original versions is 2 changed caps.
There is someone selling a clone locally maybe I wll check it out. I'm one of those dudes that will always wonder if a real DAM one would somehow sound/be better. Hey dunwich your amps look killer!
meathead is such a simple pedal, very few parts. 2 Transistors, half dozen resistor and a few caps. nothing special going on there other than a quality build on a classic fuzzface design. Any difference between clones and originals might be subjective to be honest.
thanks for the amp love.